Aesthetics and the Art of Musical Composition in the German by Heinrich Christoph Koch, Johann Georg Sulzer

By Heinrich Christoph Koch, Johann Georg Sulzer

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In some works, it is the only aesthetic means by which they may become truly tasteful. This is how many buildings can be considered as works of fine art; while the various parts of the building were made not on account of genius or taste, but rather by plain necessity, they are placed in an orderly way in relation to each other. Some gardens also have the character of a work of taste solely on account of order. In music, there are many short but pleasant melodies that have no real aesthetic other than a pleasing order of notes.

In the majority of cases this results in uniformity. A series of numbers such as 1, 2, 3, 4, 5 or 1, 2, 4, 8, 16 is orderly since in both cases the various numbers succeed each other following a certain rule, and thus display a kind of uniformity. One can easily see that in the first series, each successive number is greater by one than the previous number, while in the second series, each successive number is double that of the previous number. {615} Order exists, then, whenever things stand in relation to, or follow one another, following certain rules.

A series of numbers such as 1, 2, 3, 4, 5 or 1, 2, 4, 8, 16 is orderly since in both cases the various numbers succeed each other following a certain rule, and thus display a kind of uniformity. One can easily see that in the first series, each successive number is greater by one than the previous number, while in the second series, each successive number is double that of the previous number. {615} Order exists, then, whenever things stand in relation to, or follow one another, following certain rules.

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